I was catching up on my blog reading briefly this morning and happened to catch a brief entry on Lawrence Lessig’s blog about an online petition he felt compelled to sign: “Against the Orphan Works Act of 2008“. As many of you may know Mr. Lessig has been vocal in his opposition to the current form of the Orphans Work Legislation now being reviewed in Washington D.C. His op-ed piece in the New York
Up until recently it’s been nearly impossible to know for certain where your online photos might end up on the Internet. As we’ve heard over the years a growing vocal minority will be the first to jump on photographers complaining about online image theft stating “Get used to it. You put it online. That’s how it is.” This argument is anything but true and frustrates the hell out of photo
In mid-April there was an excellent panel discussion “Copyright in a Hyper Digital Age†put on by ASMP discussing the changing landscape of Copyright law as it impacts photographers. A variety of discussions took place, but the most timely and interesting was about the Orphans Work legislation that is again being discussed in the US Congress and US Senate. No other legislation is likely to have as big of an impac
The 16th and 17th episode of EXIF and Beyond has been released. These episodes feature an interview with Jeff Sedlik, President and CEO of the PLUS Coalition (usePLUS.org), current Professor of Photography at the Art Center College of Design and also a past president of the Advertising Photographers of America (APA). Discussed is the Picture Licensing Universal System (PLUS). Although relatively young by comparison t
In the May/June edition of Digital Photo Pro I have an article featured on Creative Commons that was spawned from my EXIF and Beyond podcast interview with Professor Lawrence Lessig. Look for it at your local book store. In the mean time the online version of this article has just been released and I invite you to take a look. Creative Commons – Digital Photo Pro [tags]Creative Commons, Lessig, Digital Photo Pr
Thursday evenings ASMP NorCal chapter event “Copyright in a Hyper Digital Age” as expected proved to be incredibly informative. The panel (see this post for the whose who of the event) was extremely impressive and spoke to copyright concerns that all photographers should be tuned in to. Not only was the panel great, but the questions asked by the audience were timely and gave a frightening snapshot to the
On April 17th ASMP is hosting a panel discussion titled “Copyright in a Hyper Digital Age: Copyrights? Copyleft? What rights are left?” This event should be noteworthy for several reason but most notably because of the meetings tone (see below). This won’t be your father’s Copyright event. This isn’t a “How to fill out the Federal Formsâ€, or “Let’s complain about Evil Clients†event. This
Last week I discussed the Adobe Photoshop Express terms of use (ToU) and how the wording was nothing short of a rights grab (see Adobe Photoshop Express & The Mindless Photo Rights Grab). By weeks end John Nack posted an update, regarding the ToU, that “the Photoshop Express team has made some changes”. Reading the paraphrased revisions on John’s blog post alleviated what concerns I had, but whe