So you’ve got this incredible image that you’ve got to show the world. Not only are you going to share it with your friends online, but you’re also going to enter it in a contest or two to win some fabulous prizes. Well before you do I recommend reading the fine print, that includes the the Terms of Use (ToU) for web sites and Contest Rules for, you guessed it, photo contests.
One of the most underhanded tactics sweeping the online and publishing world is the hijacking of photo rights through inequitable terms buried in the fine print of legalese for contests and web sites. The perpetrators will no doubt surprise you, they include the likes of Facebook, National Geographic + PDN, Popular Photo, and more.
This issue is not a new one and has reared its ugly head in the past on other photo sharing sites, but now this tactic is becoming increasingly common with major players. Offending words such as perpetual, royalty-free license and irrevocable are being introduced to hijack the rights to photographs of well intended photographers looking to play the odds to have their work recognized in a contest or just to simply share with friends.
So what does this mean? It means companies, that used to pay for quality photography to fill the pages of their publications, are now taking advantage of well intentioned photographers to develop royalty-free photo libraries they now can tap to fill the pages of their publication or place in promotional advertisements.
I almost forgot about this underhanded tactic until I started to play with the idea of submitting to the Popular Photography contest “Are You the Next Great Photographer?” sponsored by Apple. In talking with a friend and fellow photographer Richard Wong it was noted the terms outlined in Popular Photography’s Terms of Use were not photographer friendly.
HFM U.S. Rights to Materials Provided by Users
By posting messages, uploading files, inputting data or engaging in any other form of communication (individually or collectively “Communicationsâ€) to the HFM U.S. Web Site, you grant to HFM U.S. a perpetual, worldwide, irrevocable, unrestricted, non-exclusive, royalty-free license to use, copy, license, sublicense, adapt, distribute, display, publicly perform, reproduce, transmit, modify, edit and otherwise exploit such Communications and any ideas or original materials contained in such Communications, in all media now known or hereafter developed. This grant shall include the right to exploit any and all proprietary rights in such Communications including, without limitation, any and all rights under copyright, trademark, service mark or patent laws under any relevant jurisdiction. You waive all rights you may have to inspect and/or approve of any use by HFM U.S. of any material or idea submitted by you in any Communications. You waive all rights to any claim against HFM U.S. for any alleged or actual infringements of any proprietary rights, rights of privacy and publicity, moral rights, and rights of attribution in connection with such Communications. You agree and understand that HFM U.S. is under no obligation to use any material or ideas submitted by you in any Communications in any way whatsoever, and is not responsible for maintaining, and may delete at any time, any of your Communications. More…
The odd thing about this contest was that there were not specific terms tied to the contest so I wrote Popular Photography to get clarification. The response to my inquiry was:
“ This came together at the 11th hour so no specific terms and conditions were written, so the general site T&C will apply. We are not appropriating the copyright of submitted content and will make our best effort to obtain photographer permission before publishing any of the photographs.“
Needless to say after reviewing the Terms of Use, particularly the quoted section above, I opted to abstain from participating. If Popular Photography doesn’t value photographers rights enough to think things through ahead of time why would I chance forfeiting the right to my photographic work with their publication?
The latest contest to employ this tactic is the National Geographic Traveler and PDN “The Great Outdoors Photo Contest“. What’s so surprising about this is PDN’s association with it. PDN normally is quite the advocate of photographer’s rights. The tactic to grab photo rights is contrary to the pro-photographers rights stance that PDN normally takes.
An excerpt from the original fine print of this contest:
“Entries may be published by Sponsors and/or their designees, licensees or affiliates (the “Authorized Parties”) in magazines, on websites, or in any other medium, at Authorized Parties’ discretion. By participating, all entrants grant a license in the Entries to the Authorized Parties, and acknowledge that any Authorized Party may use the entries and a name credit in any media now or hereafter known, without restriction, including commercially using the entries to the fullest extent possible worldwide in perpetuity. Authorized Parties will not be required to pay any additional consideration or seek any additional approval in connection with such use.”
After a blog entry by the Photo Attorney and an email campaign by disgusted photographers the contest rules were revised. See Outdoors Photo Contest Rules Change – GREAT!
As far as this goes with National Geographic, if you think this might be a fluke think again. National Geographic’s Terms of Use for submitting to their “Your Shot” magazine/site feature is eerily similar if not worse.
You grant to National Geographic Society and its subsidiaries and licensees (“NGS”) the following rights: a royalty-free, worldwide, perpetual license to display, distribute, reproduce and create derivatives of the Photograph, in whole or in part, without further review or participation from you, in any medium now existing or subsequently developed, in editorial, commercial, promotional and trade uses in connection with NGS Products. An NGS Product is defined as “a product of NGS, a corporate subsidiary, affiliate, joint venturer or licensee of NGS, in any language, which is associated with an NGS trademark and over which NGS has Editorial Control.” For the purposes of this Agreement, “Editorial Control” means the right to review, consult regarding, formulate standards for, or to exercise a veto over the appearance, text, use, or promotion of the product. This license includes the nonexclusive right to make the Photograph available to third parties (i) for library or other research uses through microfiche, microfilm, or any other archival storage and retrieval form, including but not limited to electronic databases and document delivery services; and (ii) for distribution in connection with an NGS press conference or press release. More…
You don’t enter contests you say? Well if you use social media web sites you need to be just as wary. Facebook’s Terms of Use are just as bad. It’s for this reason that I don’t upload any of my work directly to Facebook.
“By posting User Content to any part of the Site, you automatically grant, and you represent and warrant that you have the right to grant, to the Company an irrevocable, perpetual, non-exclusive, transferable, fully paid, worldwide license (with the right to sublicense) to use, copy, publicly perform, publicly display, reformat, translate, excerpt (in whole or in part) and distribute such User Content for any purpose, commercial, advertising, or otherwise, on or in connection with the Site or the promotion thereof, to prepare derivative works of, or incorporate into other works, such User Content, and to grant and authorize sublicenses of the foregoing.” More…
It’s beyond belief to what length these companies seem to be going to acquire the rights to photographic work, in the broadest form, from unsuspecting photographers. If you’re thinking about submitting photography to a contest, a social media web site or any publication I highly recommend taking a close look at the Terms of Use and/or contest rules. Don’t be fooled into thinking this is the norm because a well known publication/site or two resorts to these tactics. This is in fact the exception to the rule and one that photographers need to push back on. Case in point to the success of the pressure put forth by photographers with the National Geographic Traveler and PDN contest.
[tags]photography, photo, rights, PDN, National Geographic, Facebook, social media, Popular Photography, contest, The Great Outdoors Photo Contest, Are You the Next Great Photographer? [/tags]
A well put together article Jim:
From the old Bob Dylan song “The Times are a changing†is true today with photography.
We now have a vast audience that before had difficulty submitting images to magazines and contests, that are now only a click away.
I do think at times that these media outlets are becoming slightly greedy in their approach to photographers.
I just wish that these same firms were clearer in the promotional material as the rights that the photographer is giving away in ordinary everyday terms that everyone can understand.
There will always be a segment that will give all away for the chance to have one of their photos published and as long as they know then it works for them.
There is a secondary group of photographers who are learning, refining their skills and techniques and hope one day to be recognized for a broader set of works or receive commercial gain that really need to understand what future potential they might be giving away.
The last group is in the business, making a living and they most likely understand the consequences of entering these contests.
There is a place for everyone and I don’t mind people giving the images away for free, which in some cases I what do to a limited extend by publishing them on the web. If someone would a larger printed version with all the subtle tones, then I charge for this level of quality.
I never enter my work in these types of contests. I have submitted images to recognized photographic organizations that under photographers rights and will only use the winning images and then only to show those that have won.
Niels Henriksen
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Thank you for covering this, Jim! I read through the fine print when I submitted my own set of photos to National Geographic’s annual contest, went through with it anyway out of enthusiasm, and regretted submitting them afterwards. Time will tell if they’ll show up anywhere in NG’s or PDN’s publications.
At any rate, I’ve read through the fine print for other photo contests, and decided not to part with my copyright for cheap fame. No thanks. If commercial entities want to use my photos, they’ll pay for that right.
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So, other then writing about it here and sending e-mails to those companies trying to get away with it, what are you, or anybody, doing to inform and educated image-makers? From experience, there is nothing out in the real world helping to educate ALL image-makers, from beginners to professionals, about these “Rights Grab,” which is NOT new, and has been going on much too long. It is surprising the ferocity large imaging companies and magazines will go to protecting their own organization’s Rights and Intellectual Property, but think nothing of violating other’s Rights and Intellectual Property, especially image-makers. The professional photographic community is very small compared to all the people taking, or make, pictures, and, therefore, there will always be a steady stream of images – some great and most not so great. However, the general public needs to be educated in order to understand the implications of “Rights Grabs,” especially the terminology, “…in perpetuity,” and how it affects them as well as professional image-makers, too. There needs to be a law established making it mandatory for all contests to incorporate the basic principles governing Copyright and Intellectual Property into contest rules so those entering their “property†know their Rights and the implication of what may be mandated by the contest or that “free†social networking site – sort of like the warning label on every pack of cigarettes – fore warned is fore armed. People need to be educated in order to make an intelligent decision. I was the first to sponsor a free lecture series across the USA entitled, “Is Copyright An Ancient Practice?†It was produced in 2001, and presented by Seth Resnick, Jeff Schewe, and Jack Reznicki. As far as I know, nothing similar has been done since. The programs I produced were unique, and have never been duplicated – I remain “Captain Explorer†(a.k.a. Michael Newler).
Great post Jim. I’ll link to it when I get a chance. I remember that Apple contest you mentioned, it sounded great until reading the fine print. I wasn’t too thrilled about the Facebook T&C’s either.
What really irks me about the facebook stipulations is that they threw in the term “sub-license”. not only do they want to use your image forever, they want to make money directly off that picture.
I believe the PDN / Traveler contest must have changed their rules this year, because I submitted two years ago and don’t recall seeing anything out of the ordinary with the T&C at that time.
nobody is hijacking anyones rights when a submission is voluntary.
read the terms prior to submission and decide accordingly. if you don’t agree with the restrictions, then don’t submit an image. no rights are lost, no rights are hijacked.
as long as the terms are disclosed up front, there’s no issue whatsoever.
@ip what percentage of photographers do you think read the fine print? How many fair and reputable services do you employ that hide far reaching terms that put you at a disadvantage in fine print? The organizations listed bank on participants trusting their brand. These companies exploit that trust. If you don’t see something wrong with this then I’m left scratching my head.
@Richard the sub-licensing is a real shocker. I’ve yet to see that to date.
@Michael I agree standardization to terms centering around IP for contests and other events utilizing user submitted content would be ideal. People have short memories so lectures on copyright and IP protection are a must to keep going with in the photographic community. I regret I was unaware of the series you put together in 2001. As communication channels expand with improving technology a reminder about copyrights is always needed. If you search my blog on “copyright” you’ll see a variety of discussions and links to podcasts on the topic. The more that can be done the better in my book to spread the word about abusive tactics and to educate fellow photographers. Thanks for taking the time to reply.
@Niels My perspective is that with greater transparency and understanding photographers can make more educated decisions. There is a time and place for letting someone use your photographic work for free. Given the less than transparent manner in which these organizations are operating its a reminder that photographers need to be vigilant in protecting the rights of their work.
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@ip – If you believe that this is a minor issue, imagine if the competition actually paraphrased the T&C in the advertising material:
You too could be the next big photographer! See your work in print! Win big prizes! We will own your photos and you will have no rights at all!
The competition would be a non-starter, and if you believe otherwise you’re very naive.
The point is that T&C are NOT read by the majority of entrants, and that’s the only reason they can continue to be so draconian.
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It’s not even necessarily that the T&C aren’t read. They aren’t understood in many cases, or they overwhelm you with 20 pages of T&C to a point where you are missing details. They are targeting photographers both serious and hobbyists, most of which aren’t lawyers. They know many of the people they are targeting aren’t up to speed on what all this means so thats why they throw them in.
Cigarette smoking is “voluntary” too, but yet the Federal Government mandated manufacturers put a WARNING label on every pack. You would think by this time people would realize smoking anything is harmful to your health. However, whether or not anybody reads the WARNING label is NOT the point. People do all sorts of voluntary things and most of the time it is done “NOT TO MAKE MONEY OR A PROFIT.” In the case of voluntarily sending images for a contest, you might loose more then the contest if you do NOT win, and even if you do win, you might loose — your Intellectual Property as well as your Copyright. Since all contests are in fact regulated to varying degrees by the Federal and State governments (mail and Internet), it would be extremely useful for our government to mandate every contest print basic information about Copyright and Intellectual Property along with “THEIR” terms and conditions for the contest. As far as issuing information on websites and BLOGS — that for the most part is useless space on broadband. Keep in mind, the number of people actually engaged in some form of “professional” photography is very small compared with the general picture taking population. The difference between a professional photographer and the general public is the professional consistently produces good images, or should, whereas the general public might produce one good image in approximately every 500. Photo contests rely on getting several thousand images from all sorts of image-makers including some professionals but mostly from the general public. The contest is ONLY offering three or perhaps five prizes which means they only need three or five “good” images out of how many thousand they received. The general public does NOT understand, or care about, Copyright or Intellectual Property Rights until you explain it to them in terms they can understand. The insidious part is the contest has collect thousands of images from which “THEY” can do just about anything they want with — including selling them to a third party anywhere in the world. It is like you voluntarily offering to send me your TV after telling you mine is broken, and, after using your TV, I sell it on E-Bay keeping the money. The general public does NOT understand how a photograph can be worth as much money as professional get for them. They also casually say, “…it is ONLY a picture.” Tell that to Annie Lebovitz, Douglas Kirkland, Greg Gorman, Mary Ellen Mark, Sheila Metzner, Joyce Tenneson, Barbara Bordnick, Pete Turner, Jay Maisel, etc. EVERYTHING you enter into, whether a photo contest or a photo assignment, you MUST read the terms and conditions first, make YOUR changes and additions if they allow it, but if they do NOT — walk away.
Great topic for discussion Jim! I discussed the Facebook example on the FocalPower blog back when that first surfaced as well. I can see the reason for having such language in the T&C of contents and services when it is done to expand the awareness and knowledge of a photographer. As a photographer myself, I don’t agree with the blatant abuse of photographers by taking away their control over an image. I think it goes back to what we had discussed last year…photography times are a changing.
However, here is another take on that same angle. Where does the line get drawn for the photographer and how much of their customer’s rights they can infringe upon?
A few years back when I was getting married and we were interviewing wedding photographers, the photographer we eventually decided upon had a clause in his contract that said essentially he gets to use our images for his promotional use. I didn’t really mind that, but I saw it as something he was getting for free. When I pushed him on giving us a discount in order for use of our images for his marketing, he caved and crossed that line out of the contract. Only to eventually use photos form our wedding in a marketing slide show anyway…until I reminded him of the contract and he removed them.
To me, we all need to be aware of our legal rights and ramifications of giving them away. Each one of use has given away more than we realize every time we click “sign me up” on a new service and check that box “I agree to the Terms of Service” or upload a photo to Flickr and accidentally tag it Creative Commons. It’s fact of modern day life. Just more complicated when you’re trying to make your living as a photographer in today’s world.
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Jim… one more for you. A local photographer competition I just read about in CameraArts: http://www.unscenetour.com/guidelines_mobile.php
Although copyright ostensibly remains with the photographer (sheesh…):
The UnScene Tour reserves the permanent nonexclusive right to publish, reproduce, display, distribute, and show on screen any winning photograph on Web sites, photo exhibitions, tradeshows, or any other media which is under the management of the UnScene Tour for the purpose of promoting the contest. In all cases where such photographs are used, the UnScene Tour reserves the right to do so without obtaining the further prior permission of the winner and without offering any further compensation in any form.
The UnScene Tour reserves the permanent nonexclusive right to give permission to its subsidiaries and affiliates to publish, reproduce, display, distribute, and show on screen any winning photograph on Web sites, photo exhibitions, tradeshows, or any other media which is under the management of the subsidiaries and affiliates of the UnScene Tour for the purpose of promoting the contest. In all cases where such photographs are used, the UnScene Tour reserves the right to do so without obtaining the further prior permission of the winner and without offering any further compensation in any form.
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To be honest, without reading the fine print, I had always known this to be true. Its like those kind of slogan contest, you know the product is going to belong to the company, that’s your intellectual property too. OR any drawing contest u took part as a child, the drawing is going to be kept by the organiser and you will never get it back. And ya, you get your 5 minutes of fame if you are good. And I would say its is necessary for them to have the rights, if they don’t get to use the photos, then how can we get big scale contests with that kind of coverage?
They will always be able to get participants, unless everybody’s going to boycott something that had been in existence since don’t know when.
Jim,
Thanks for the heads up. Very interesting and concise review of the terms of reference for social sites.
I will definitely take a closer look at Facebook.
One thing I forgot to mention was that I do put a larger than normal Copyright watermark on the images on Facebook. To my way of thinking, this allows your work to be viewed without too much danger of being stolen. Also, the images tend to be very small on Facebook, not enough resolution to print.
Go beyond contests and sites like Facebook. Would be photojournalists need to read the fine print before submitting videos and stills to TV networks and cable news outlets as well. I had a real timely storm image I thought I’d send to The Weather Channel. I was willing to let them use it once free with a credit, but first I read their fine print.
Guess what? They would own the image by my simple act of sending it to them. “Stephanie Abrams, your smile is so sweet, how could you do this to me?” 😉
Although I can’t say with 100% certainty, I’d bet most television end-users that ask their viewers to send them material confiscate your work the same way.
READ THOSE TERMS AND CONDITIONS!
The fact anybody uses their copyright notice © large or small on their intellectual property is terrific, BUT, in order to receive any sort of financial compensation as a result of a copyright violation, the item(s) MUST be registered with the Copyright Office in Washington, DC. If it is NOT registered but does have a copyright notice you will be awarded one dollar ($1) for the violation, and the violator will receive a slap on their wrist. Look at some of the ads printed in magazines, especially photo specific magazines. How many Copyright notices are printed with the photographer’s name in or next to the image of the ad? The manufacturer has their copyright notice on the ad including the registration mark ® for their LOGO? The magazine uses their Copyright notice for everything printed in the publication. Imaging companies and imaging magazines should know better eliminating or not including a photographer’s Copyright notice. If they are allowed to continue this practice, including “Rights Grabs,” unchecked, then image-makers at all levels of the spectrum have nobody to blame but themselves for allowing it to continue. Imaging companies and imaging magazines have large legal departments who should know a thing or two about Copyright and Intellectual Property Rights. Most do while some still do NOT, but ignorance of the Law is NO excuse. From my humble perspective, experience, and opinion, they know exactly what they are doing, and simply try to grab as much as they can. As long as nobody outside their company complains causing a public relations headache, they will continue doing exactly they want. Everybody submitting images for reproduction, whether for print or electronic media, needs to be educated about the law and power of Copyright, including Intellectual Property Rights. Your Copyright is both a notice and a name recognition for you.
@Tony Rath glad you found this useful. I will be posting more about the Facebook element of this story. Be warned many of the applications referencing images on Facebook also provide copies to Facebook in the process. The net result imagery that falls under their very photographer unfriendly ToU.
@Zormsk Great comment. I have not submitted to news sites or TV channels and am not that surprised to hear that they’re also making a rights grab. I find it quite sad that companies and their lawyers are taking advantage of the movement of User Generated Content.
@Michael Newler I couldn’t have said it better myself. If filing copyrights is new to those reading this they should definitely read the following post Copyrights: Protecting My Photography and reference the resources listed with in it.
Here is a “little something” happening now from a huge “imaging” company for a photo contest they are sponsoring in Australia. Keep in mind, this company has enormous legal divisions in their offices around the world. They know all too well about both International Copyright Laws as well as individual country Copyright Laws, and yet, in my opinion, they still try to “grab” as much as they can get away with including contradicting themselves. The following are portions of their contest rules and regulations. This contest is NOT open to professionals — in the USA, a photographer is considered a professional if they make the majority of their income from selling their images.
CONDITIONS OF ENTRY
SONY α WORLD CONSUMER PROMOTION
* The Promoter and its associated agencies and companies shall not be liable for any loss (including, without limitation, indirect or consequential loss), damage, personal injury or death which is suffered or sustained (including but not limited to that arising from any person’s negligence) in connection with using any prize, except any liability that cannot be excluded by law (in which case that liability is limited to the minimum allowable by law). The Promoter and its agents associated with this promotion take no responsibility for prizes damaged or lost in transit.
* By entering this promotion, each eligible entrant warrants to the Promoter:
* That they have the rightful power and authority to submit their entry in the name stated;
* That they own the content of their entry and have the right to assign copyright ownership and other Intellectual Property Rights in the entry to the Promoter (if required);
* In respect of entries that include images of third parties, that the third party participant has been informed by the entrant and agrees in writing that their image may be used by the Promoter in any media for an unlimited period of time without remuneration or compensation to the third party participant for the purpose of promoting, publicising or marketing this promotion (including any outcome), and promoting any products manufactured, distributed and/or supplied by the Promoter;
* That the entrant agrees that if their entry is accepted by the Promoter, it will be available on the Promoter’s website for public viewing and that their entry may be used by the Promoter in any media for an unlimited period of time without remuneration or compensation for the purpose of promoting, publicising or marketing this promotion (including any outcome).
* Entrants consent to the Promoter using the entrant’s name, likeness, image and/or voice in the event they are a winner of a judging (including photograph, film and/or recording of the same) in any media for an unlimited period of time without remuneration or compensation for the purpose of promoting, publicising or marketing this promotion (including any outcome), and promoting any products manufactured, distributed and/or supplied by the Promoter. The winners agree to participate in all reasonable promoted activities in relation to this promotion as requested by the Promoter and its agents.
* Each entrant indemnifies, and must defend and hold harmless, the Promoter and its employees, servants, agents and contractors, from and against all Losses arising from: a breach by the entrant of any of these Conditions of entry; any third party claim arising directly or indirectly from a breach by the entrant of any of these Conditions of entry; a negligent, wilful or otherwise wrongful act or omission of the entrant; fraudulent or dishonest acts or omissions by the entrant; any breach by the entrant of any applicable Laws; any claim by any third party (including individuals, legal entities and governmental departments or agencies) arising directly or indirectly as a result of the entrant entering this promotion; the death of, or personal injury to, any person or any damage to, or loss or destruction of, any real or tangible personal property, to the extent caused by any act or omission of the entrant; and any claim or allegation that the entrant’s entry infringes a third party’s Intellectual Property Rights or constitutes an unlawful disclosure or misuse or misappropriation of another party’s trade secret or confidential information.
* Entrants retain all right, title and interest in all Intellectual Property Rights in their photograph entry, however it is a condition of entering this promotion that each entrant non-exclusively and irrevocably licenses to the Promoter the worldwide right to use their entry (including photographs) in any media for an unlimited period of time without remuneration or compensation for any reason including but not limited to future promotional, marketing or publicity purposes. Each entrant must, upon request by the Promoter, execute all documents and perform all acts necessary to grant such a licence to the Promoter.
* Entrants consent for the benefit of the Promoter to all or any acts or omissions that would ordinarily constitute an infringement of their Moral Rights in relation to all Intellectual Property that they may create or generate and submit to the Promoter in response to this promotion. Moral Rights has the meaning given to it in the Copyright Act 1968 (Cth), and includes: a right of attribution of authorship; a right not to have authorship falsely attributed; and a right of integrity of authorship.
* All right, title and interest in all Intellectual Property Rights in all of the Promoter’s brands, logos, trading names and products will remain or be vested in the Promoter. Participation in this promotion by an entrant will not under any circumstances be taken to constitute a transfer, assignment or grant of any ownership rights in any of the Promoter’s brands, logos, trading names and products. The Promoter, on a case by case basis and to the extent required, grants to each entrant a non-exclusive licence for the promotional period use of the Promoter’s brands, logos, trading names and products solely for the purpose, and to the extent necessary, to enable each entrant to create their entry.
* In these Conditions of Entry: “Intellectual Property Rights†means all existing or future intellectual property rights of whatever nature anywhere in the world including, but not limited to, rights in respect of or in connection with copyright, inventions (including patents), trade marks, service marks, trade names, domain names, designs, confidential information, trade secrets and know-how and similar industrial, commercial and intellectual property rights, whether or not registered or registrable, and includes the right to apply for the registration of such rights, and whether existing in Australia or otherwise. “Laws†means all laws including rules of common law, principles of equity, statutes, regulations, proclamations, ordinances, by-laws, rules, regulatory principles and requirements, statutory rules of an industry body, statutory mandatory codes of conduct, writs, orders, injunctions, judgments, and Australian generally accepted accounting principles. “Losses†means loss, damage, liability, charge, expense or cost (including all reasonable legal and other professional costs on a full indemnity basis) of any nature or kind.
* This promotion is governed by the laws of NSW and entrants irrevocably submit to the non-exclusive jurisdiction of the courts of NSW.
The Promoter is Sony Australia Limited, ABN 59 001 215 354, of 33-39 Talavera Road, North Ryde NSW 2113.
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Thanks for sharing, I have always been suspicious of photo contests yet I have entered a few. This is really good info.
It just so happens that I participate in a photo contest not two days before I read this article and realize what I have just DONE with what may have been the most beautiful natural photograph I have taken thus far in my “career”.
I have to be more careful next time, thank you!
One commenter above is correct, entering is voluntary so read the rules before you submit. I entered a Popular Photography (& Imaging) contest, the International contest, a few years back and won, never heard anything about them reusing the image they selected nor about me not being to publish or sell the image, which I did.
It is amazing though how many people, agencies, magazines, companies etc etc are attempting and succeeding in getting their hands on images and not paying a fair rate for what they use. Plus, it’s disgusting how many images get ripped off from websites like Flickr (which has happened to me 5 times in two years) and end up being sold as someone else’s work or in ad campaigns and such.
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Thanks for the post Jim. I’ve submitted some photos to contests over the past couple years until someone (I forget their site URL unfortunately) emailed me directly, first complementing the photo, but then informing me about the fine print and that I was basically giving this image away for perpetuity. So the other day I came across a photo contest in which, of all companies, was affiliated with National Geographic – http://www.nationalgeographic.com/energizer/index.html. I read the fine print and you guessed it, HAD I submitted an image it would have become the property of Energizer for ever. It’s pretty eye-opening…
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Hi Jim,
Good discussion of an old topic, for the folks that
never seem to learn there’s an expression about the
Devil’s in the Details and fine Print for a reason.
My Rule of Thumb is just like Organic Food.
If I can’t understand or pronounce the ingredients
I don’t eat it. If the ToU are not Short, Clear
and Easy to Understand (and Photog friendly)
I don’t enter the contest. If there’s TOO much
fine print…don’t bother reading or entering.
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Disappointing to see organizations that should know better taking advantage like this. I always read the fine print in photo contests and was sufficiently put off by PDN and the NG rules not to enter.
http://www.dailycamera.com/boulder-county-news/ci_18468142#IDComment173447905
Thanks for the eye-opening post! I was just about to submit to the latest NG contest when I read this and looked back at fine print in the NG rules which included those words you warn about. Disappointing.
I think max. we are not able to read the TOU/TOC of those contest or using/posting the personal photo or video as likely we share those and similarly being hijacked in different situation.